We don't just experience a trip. We film it, promote it, and book it for years to follow.
Six years making travel content. Eighteen months selling travel.
The adventures came first. The agency came second.
We've spent six years on the road across all seven continents, building a 700,000-strong following and collaborating with luxury brands the entire way. Just eighteen months ago, we became travel advisors.
Everything you read below transpired in those first eighteen months — from a standing start, with no book of business, no inherited client roster, and no referral network. Just our films, and the travel-hungry people who watch them.
One trip. Years of selling.
Most travel content partnerships are priced like advertising — a burst of exposure that peaks in week one and is gone by week six. We're not running a campaign. We're building a permanent storefront for your brand, and then staffing it.
Every viewer who reaches out lands with advisors who have walked the suites and eaten in the restaurants. We're not introducing your brand to our audience and then hoping. We're booking them — seven days a week.
What our films generate
Total bookings
$1,432,322
Booked in 18 months after launching our Antarctica film series. An additional $260,400 was booked from our hosted group sailing in December 2024.
The difference content makes
We sell every brand in our portfolio. But the two we've filmed don't sit in the same league as the ones we haven't — and the gap isn't close.
| Brand | Content we've produced | Booked |
|---|
Same advisors. Same audience. Same eighteen months. The only variable is whether a traveler could watch an hour of the actual experience before deciding.
30 millon views across our YouTube films
Six examples from our YouTube channels, showing long-form views only — not the additional reach generated by supporting short-form and social content.
| Brand collaboration | Published | Episode views |
|---|
Reels, TikToks and Shorts can entertain and intrigue, but our long-form YouTube episodes immerse, persuade, and convert. And because 90% of our viewers are new to our channels, these films often acquire travelers who'd never heard of us — or of you.
To-date, over 39,000 people have watched the entire video — contributing to over 280,000 hours of attention from a single episode. We know of no other format that offers that value.
Brands we've filmed with
Six years of collaborations across expedition cruise, luxury cruise, river cruise, luxury resorts, and air travel.
Where the audience lives
Roughly 700,000 people across our channels — concentrated where long-form actually gets watched.
Who's watching
By the time someone reaches out, they've already decided
We close about two thirds of our inquiries. We don't think that's because we're better closers. It's because a traveler who contacts us has usually read our 35-page destination planning guide, spent a few weeks receiving our nurturing emails, and watched an hour-long film highlighting the exact experience they're interested in.
| Episode | Published → first booking |
|---|
Exposure ends when the campaign does. Demand walks in the door and asks for a quote.
What it sounds like when a film does the selling
We regularly offer clients better pricing on a competing brand, and they turn it down. That's the difference between advertising and a film. Advertising makes a product familiar. A film makes a traveler want that specific trip, on that specific ship, badly enough to pay more for it.
You provide the experience. We provide the film, the audience, and the bookings.
Our model is deliberately simple. We sail as guests. We film throughout. We handle every part of production — shooting, editing, publishing, promotion — in-house and at our own cost.
Let's plan soon.
We only produce four to six collaborations a year and we're narrowing to fewer brands rather than adding more — so the conversation worth having now is about next year's calendar. Tell us what's soft, what's launching, or what you wish more travelers understood about your product. We'll tell you honestly whether we think a film would move it.
